STORYLINE: Addie and Noelle are introduced doing something city dwellers know is truly horrifying: apartment hunting. Everything changes for both women when an unnamed stranger knocks on their door. The Girl tells Noelle that she believes they're living in a place that has seen untold horrors. One of the apartments in which Jeffrey Epstein used to traffic and abuse girls. Before you know it, they have tumbled down the rabbit hole into a world of conspiracy theories about Epstein and his apartment.
DIRECTOR: Dasha Nekrasova.
WRITERS: Madeline Quinn, Dasha Nekrasova.
STARS: Madeline Quinn, Betsey Brown, Dasha Nekrasova, Mark H. Rapaport.
PRODUCED BY
- Adam Mitchell.
- Mark H. Rapaport.
CINEMATOGRAPHER: Hunter Zimny.
MUSIC: Eli Keszler.
FILM EDITOR: Sophie Corra.
COUNTRY: USA.
RELEASE DATE: December 24, 2021 (THEATER - VOD - DIGITAL).
PRODUCTION COMPANIES:
- Carnegie Hill Entertainment
- Kinematics
- Spacemaker Productions.
DISTRIBUTORS:
- Utopia (2021) (USA).
SUMMARY-INFO: American horror movie directed, co-written by Dasha Nekrasova, who also take part in the cast. This movie makes her directorial feature film debut. Distributed by Utopia.
GALLERY:
“the film is a great stylistic showcase for Dasha Nekrasova, who not only proves that she’s an exciting filmmaker willing to take big swings but also is a pretty solid actor on top of that. “The Scary of Sixty-First” is a well-crafted, exciting, daring, interesting thriller…until it isn’t. Much like the conspiracy theories it spouts, once you dig a little deeper, things begin to fall apart.” www.theplaylist.net
“But with Nekrasova’s signature snark and monotone sarcasm, it peppers familiar style with something updated and interesting, even if it’s not your cup of tea..” www.pastemagazine.com
“The Scary of Sixty-First is a film which is likely to generate strong reactions. Most people will either love it or hate it. This depends on how much licence you’re willing to grant co-writer/director Dasha Nekrasova’s feature debut. It’s either a profound work of contemporary psychological socio-political filmmaking or a muddled and incoherent quasi-student film.” www.backseatmafia.com
CAST-CREW:
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